*This blog post is part of Sisters in Crime's fabulous September SinC-Up. For more information, you can visit the SinC website: www.sistersincrime.org/bloghop.
One of the things I enjoy most about talking to other writers — especially my fellow Sisters in Crime members — is learning about their writing processes. Some of us plot; some of us pants it. Some of us are morning writers; other are night owls. And some of us adore writing while music flows around us, while others need absolute quiet.
One of the things I enjoy most about talking to other writers — especially my fellow Sisters in Crime members — is learning about their writing processes. Some of us plot; some of us pants it. Some of us are morning writers; other are night owls. And some of us adore writing while music flows around us, while others need absolute quiet.
I’m firmly in the
latter camp. Even the most gentle strains of classical sonatas poke at my brain
like a whiny toddler. And yet music is a necessary part of my writing process.
I don’t know what I’d do without it during brainstorming — nothing gets the imagination pumping like a
solitary road trip or an hour on the front porch swing, one of my mixes
playing, the creative juices flowing.
I’ve created playlists
for each of my main characters — one for
Tai Randolph, my smart intrepid narrator, and one for Trey Seaver, her partner
in both romance and crime-solving. Some of the songs represent personality
traits; others call to mind specific plot
points. I also made a playlist for them as a couple, songs that illustrate
their relationship as it progresses (you know, the usual love-sex-conflict
mix).
Here’s a sample of my
Tai and Trey mix — you can check
out the whole thing on Spotify by clicking HERE.
“Bedroom Hymns”
by Florence and the Machine — Oh my, I need to fan myself for a minute just
thinking about this song. Nothing captures the primal imperative of sex like driving
percussion and pounding chords, but add Florence Welch’s throaty vocals, and
lyrics that practically drip with sweat and need, and you’ve got a song that
might catch your MP3 player on fire. This is one deep and passionate and hungry
song, and it reminds me that no matter what complication I throw at my
protagonists, no matter how annoyed they get with each other, there’s heat
humming between them.
“Little Black
Mess” by Shivaree — Sexy, retro, and make-no-apologies manipulative, this song is
a testament to the fact that even if Tai manages to tamper her way into an
enormous problem, she can always count on Trey to show up for her (even if he
doesn’t always bail her out). He’s promised to be there for her, no matter what.
He meant it. And she knows it.
“Kryptonite” by
Three Doors Down; “Strung” by Joe Henry and “Where Are You Going?” by Dave
Matthews — These songs couldn’t be more different. The first is a post-grunge
rock anthem with an infectious hook, the second is pure blues jazz salted with
ache and desperation, and the last is a tender ballad. And yet together they
define the personality of Trey, my psychologically complicated, ex-SWAT hero. Damaged and haunted, strong yet
vulnerable, Trey is a hero right to the middle of his bones, and listening to these songs is the solution to
every “what would Trey do?” dilemma I have.
“Dani California”
by Red Hot Chili Peppers — Every time I hear this song, I think of my girl Tai. Hot-blooded, mouthy, and assertive to
the point of reckless, she’s a kick-ass heroine, and I love to watch her in
action. This is the kind of song she’d listen to while driving down a Low Country
highway in her Camaro, windows down, hair blowing in the hot summer wind.
“I Wanna Be Your
Dog” by Joan Jett — Trey doesn’t listen to music anymore. The brain damage he
suffered in a car accident damaged his auditory processing capacity. He can’t
hear the beat, and so his cassette and CD collection sits in storage, getting
dusty. I am getting to dig around in his basement for my fifth book, however, and I
was fascinated to find a collection of hard rock down there, including every
album Ms. Jett ever made. This song in particular, with its driving guitar and
rough-edged lyrics, defines a part of his personality that has gone into
hiding. I’m thinking his inner head-banger is still in there, though, under all
that Armani. I’m thinking it’s going to emerge once again, like some
resurrected goth butterfly.
* * * * * * * *
Tina Whittle's fourth Tai Randolph/Trey Seaver novel — Deeper Than the Grave — releases on November 4th. You can find the author on her official website— www.tinawhittle.com.
For more information about joining this fabulous Sisters in Crime September SinC-Up, visit their website for all the details:
www.sistersincrime.org/bloghop.
www.sistersincrime.org/bloghop.
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